I bought this icon in Albania from a small local trader who sourced it from a group of Albanian villages in the mountains. Orthodox communities were persecuted during the time of Stalinism, icons hidden and items now slowly come to market as people sell assets and feel less connected to the faith of their ancestors. Few icons of this size are however available.

Item size is app 40x50cm (incl original frame) Frame and painting are damaged but show lots of "character" It is hand painted on leather, which was then stretched on hardwood (chestnut) as is customary and clearly original (I think). These icons usually have been kept there for generations, hanging in a small byzantine church or peoples homes.

A good fiend, an Orthodox priest with a PhD in liturgy, inspected the icon and estimates it to be from early 17th century and positions its origins in this part of the Balkans. This is related to the method of production, the way greek lettering has been written on the icon, and his observations on the method of production used. (Beewax with gold powder and pigments, then applied to the leather)

There are candle and smoke damages at the bottom and other areas where the paint has come off as as a result of use over time through touching and kissing.

Two beer Steins. One has dancing man on front. He dances when you lift mug up and the other is an Olympic stein. Both in excellent condition but not sure what they are worth.

I bought this icon in Albania from a small local trader who sourced it from a group of Albanian villages in the mountains. Orthodox communities were persecuted during the time of Stalinism, icons hidden and items now slowly come to market as people sell assets and feel less connected to the faith of their ancestors. Few icons of this size are however available. For what I can see, it is well preserved with brilliant colors that remind me of the now famous Albanian icon painter Onufri from Berat (16th century).  The panel is heavy chestnut wood as is common for most old furniture and icons in Albania.

A good fiend, an Orthodox priest with a PhD in liturgy, inspected the icon and estimates it to be from early to middle 18th century in view of the use of engraved guilding and the renaissance influences in the depictions. He furthermore believes it originates from or from around Albania as indicated by the facial features (round faces, pronounced nose)

There are some candle and smoke marks at the bottom. Also one small section of paint came off as a result of a knot in the chestnut panel.

I have a wheel chair from, Gendron Wheel Co., Perryburg OH, catolog No. 2348. very good condition. Pictures attached.

Looking for an approximate value for a chair I inherited from my great aunt.  Don't know any history.  Has original wheels, some damage to underside from storage.

I have 5 balloon back chairs - 4 are a matched set; 1 is similar but different.  Seats have been recovered over the original (?) green felt.

Looking for approximate value.

Don't know much history other than they were my great aunt's and she had them from at least the 60's on and lived in Cincinnati, OH, but don't know any more than that.